Scarlatti, Domenico 10/26/1685 - 07/23/1757

Domenico Scarlatti (1685-1757) was an Italian composer of the Baroque era. He was extremely influential in the development of keyboard music, especially in Spain, Portugal and England, through his highly idiosyncratic and individual style.



Surprisingly little is known about Scarlatti's life apart from legends and anecdotes. He was born in Naples, Italy, the sixth of ten children. Most likely he first studied under his father, Alessandro Scarlatti; other composers who may have been his early teachers include Gaetano Greco, Francesco Gasparini, and Bernardo Pasquini, all of whom seem to have influenced his musical style.



He became a composer and organist at the royal chapel in Naples in 1701, and in 1704 he revised Pollaroli's opera Irene for performance at Naples. Soon after this his father sent him to Venice. In 1709 he went to Rome in the service of the exiled Polish queen Maria Casimira; while in Rome he met Thomas Roseingrave who would later lead the enthusiastic reception of the composer's sonatas in London. Domenico was already a harpsichord-player of eminence, and there is a story that at a trial of skill with George Friderich Handel at the palace of Cardinal Ottoboni in Rome he was adjudged perhaps superior to Handel on that instrument, although inferior on the organ. Later in life, he was known to cross himself in veneration, when speaking of Handel's skill.



Also while in Rome, Scarlatti composed several operas for Queen Casimira's private theatre. He was maestro di cappella at St Peter's from 1715 to 1719, and in the latter year came to London to direct his opera Narciso at the King's Theatre.



In 1720 or 1721 he went to Lisbon, where he taught music to the princess Maria Magdalena Barbara. He was at Naples again in 1725, but in 1729 went to Madrid as music master to the princess, who had married into the Spanish royal house. He remained in Spain for some twenty-five years. Maria Barbara became Queen of Spain. During her reign he composed over five hundred keyboard sonatas, and it is for these works that he is best remembered today.