Kalivoda (Kalliwoda), Jan Václav 02/21/1801 - 12/03/1866

Jan Václav Kalivoda (Johann (Baptist) Wenzel Kalliwoda, 1801-1866) was born in Prague in 1801 and as early as 1811 started studying violin and composition at the Prague Conservatory. He made his debut as a violinist at the age of 14. Upon completion of his studies he became a member of the Prague Opera Orchestra. His diploma from the Conservatory read "Excellent player solo or in an orchestra...shows great talent in composition." More prosperous tours as a violinist, for instance to Linz and Munich, followed.



Kalivoda lived what appears to have been a stable, hardworking musical life. For over forty years, from 1822 to 1865, he held the post of conductor under Karl Egon II of Fürstenburg and his successor in Donaueschingen (where the Danube begins in the Black Forest). His duties there included not only the writing music for court and church, but also the management and conducting of a choir, and annual musical journeys for his own education. These manifold responsibilities may have foreshortened his life. In any case, he went into retirement in 1865, and a year later he died of a heart attack in Karlsruhe, Germany.



His son Wilhelm Kalliwoda (1827-1893) continued his father's career, and worked as Kapellmeister for the Baden court in Karlsruhe, also composing (an Impromptu for piano was published as his opus 3 in Leipzig in 1854 ). During the 1850s he is mentioned by Alan Walker as a conductor at the Lower Rhine Festival.



Kalliwoda was a highly prolific composer, and was held in high regard during his lifetime by such eminent contemporaries as Robert Schumann. In all, his works number in the hundreds, of which there are about 250 works or sets of works with opus numbers. His compositions include operas, symphonies, concert overtures -- one of them, commissioned for the occasion, was used to open the first concert, in 1842, of the New York Philharmonic -- as well as music for piano, piano concertos, concertinos for violin and for oboe, music for the church, lieder, choral music and various other vocal and instrumental works.



Kalliwoda "represents a sort of symphonic 'missing link' between Beethoven and Schumann," writes the critic David Hurwitz, founder of Classics Today. "His melodic appeal and rhythmic energy undoubtedly have something to do with his Czech roots...but he also had a genuine understanding of symphonic development and real contrapuntal skill." Hurwitz observes that "as the predominance of minor keys suggests, his music has passion and an emotional depth that recalls Beethoven without ever descending into mere imitation. Part of the reason for his distinctiveness stems from his skill at orchestration."..