shopping cart Jahrbuch 2016
des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz
This yearbook centres on music in the First World War not only on that of the European avant-garde, but also on music used in the war itself. These articles are complemented by organological studies, texts on notation and music-reading, on Wanda Landowska's treatise Musique Ancienne, on problems of music analysis, as well as by studies of the musical space in Giovanni Gabrieli's instrumental music and by methodological reflections on audiovisual perception.
Content
- A. Meyer: Schöne Barbarei? Europas musikalische Avantgarde bei Ausbruch des Ersten Weltkriegs - H.v.d. Berg: Der Sturm. Heeresmarsch und andere Kriegstöne des Kunstentrepreneurs Herwarth Walden im Ersten Weltkrieg - W. Fuhrmann: Ein Requiem zu Kriegsbeginn? Max Webers Fragment WoO V/9 (op. 145a) und die "Ideen von 1914" - M. J. Grant: Relics of British Military Music from the Great War - B. Brilmayer: Berlin Elektropolis des Instrumentenbaus? - S. Wedler: Eine atonale Sonatenform? Rezeptionsgeschichtliche und analytische Perspektiven auf Anton Weberns Streichquartettsatz op. 5/1 - R.D. Schmidt-Hensel: Schlüssel und Pausen: Zur Entwicklung der Notenschrift F. Mendelssohn Bartholdys - F. Fitzner: Musikinstrumente zwischen Technik- und Geistesgeschichte. Curt Sachs im Diskursfeld "Körper und Technik" - M. Elste: Wanda Landowskas Musique ancienne. Die legendäre Streitschrift einer musikalischen Amazone: Themen, Editionen, Konkordanz - H. Poos: Kleine Apologie des Notenlesens - R. Müller-Lindenberg/S. Mey: Raum-Fragen. Überlegungen zu G. Gabrielis Instrumentalmusik für Ensemble - H.-J. Maempel: Apples and Oranges A Methodological Framework for Basic Research into Audiovisual Perception
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Schott Music
Musicology
Book
Paperback/Softcover
German
Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz
978-3-7957-0078-2
9783795700782
BN 2016
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