Bach, P.D.Q.: Goldbrick Variations

For Piano, Two Hands

"The discovery of the “GOLDBRICK” VARIATIONS was an especially important one for a couple of reasons, both of them important. In the first place, it is a theme with variations, and P.D.Q. Bach’s use of this very usual eighteenth-century form was unusually unusual. And this piece is no exception. Because usually, when a composer writes a theme and variations, he presents the theme first, and then the variations. You sort of get used to that. Well, not P.D.Q. Bach. He presents all three variations first and only then does he get around to presenting the theme. I think the reason for this is that in this case even P.D.Q. realized that after hearing this theme nobody was going to stick around for the variations.